You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
New York film festival: No spoilers here – TV’s grand illusionist meets his match when he moves in with Theranos founder and her family
For anyone remotely near the worlds of documentary, comedy or medical fraud, there has been one thing on the mind for weeks now: a single-minute clip of Nathan Fielder, the absurdist comedian whose boundary-pushing HBO series The Rehearsal cemented his status as docu-reality’s premier auteur, staring into the deep blue eyes of Elizabeth Holmes, the disgraced founder of the blood-testing startup Theranos. Unblinking, faces inches apart, the famously dry purveyor of harebrained business schemes and the convicted fraudster appeared locked in a battle of wills. “Are you being real right now?” Fielder asked her, in a classically meta bit – could Fielder really have spent years filming a secret documentary with one of Silicon Valley’s most notorious pariahs?
The prospect of TV’s grand illusionist versus emblematic girl-boss scammer seemed potentially too good to be true; buzz for You Can See Everything, Fielder’s furtive documentary co-directed with wunderkind du jour Lance Oppenheim (whose narrative feature debut, the Robert Pattinson-starring Primetime, premiered last month) was such that access to the film’s New York film festival premiere on Wednesday became this fall’s hottest ticket.
