English National Ballet: Rhythm Riot review – this triple whammy brings zing, grit and chills
Sadler’s Wells, London
A trio of dances taking influence from Stravinsky, tap and William Blake’s poetry combine with powerful performances exuding showmanship
Damn, there was some amazing dance going on in mid-20th century New York. You had George Balanchine forging a new American ballet, all slick speed and striking angles, and in Harlem there was the Cotton Club and the Savoy, swinging dancefloors and entertainers like the legendary Nicholas Brothers, of whom Balanchine was a fan. There’s a taste of this world in English National Ballet’s latest triple bill, with a distinctly American flavour and a focus on propulsive rhythm.
Balanchine’s Symphony in Three Movements was made in 1972 as a memorial to Stravinsky, although the eponymous music is from 1945. Balanchine and Stravinsky were an absolute dream team, architects of multiple masterpieces. Here the clarity of line and stripped-back nature of the design crossed with the depth and crunchy complexity of Stravinsky’s score is a perfect balance. There’s palpable power from the pit, with the English National Ballet Philharmonic relishing the music under the baton of Maria Seletskaja.
