A Midsummer Night’s Dream review – Munya Chawawa bewitches in lovingly juiced-up 90s rave
Chichester Festival theatre
A narcotic, orgiastic woodland party clashes with the traditional values of John Major’s Tory party in Justin Audibert and Hannah Joss’s exuberant production
The Shakespearean canon contains the term “love juice” twice, both in A Midsummer Night’s Dream. So, though purists might be furious, that druggy usage – and Fairie King Oberon’s access to potions that “make eyes roll” – offer textual justification for Justin Audibert and Hannah Joss staging the play around a narcotic, orgiastic woodland party in the summer of 1994.
At that time, prime minister John Major was introducing legislation to ban “illegal raves”. Egeus (Henry Everett), an Athenian courtier in the source, becomes Chief Constable of West Sussex, surnamed Anderton, an allusion to Sir James, a Thatcher ally whose Bible-inspired policing saw him called God’s Copper. Duke Theseus becomes MP for Chichester, a seat held by the Conservatives for a century from 1924. With one character wearing Major rosettes on her breasts, a PM often derided as dull is becoming a theatre star: the National next year stages a James Graham bio-drama, Major.
